Notes on Laura Mulvey's "Afterthoughts on 'Visual Pleasure in Narrative Cinema'" First published in Framework 15-16-17 (summer 1981): 12-15. It does so by appealing to our pleasure in looking – scopophilia (Mulvey, “Visual Pleasure and Narrative Cinema”, p. Laura Mulvey, “Narrative Cinema and Visual Pleasure,” 1973. EN 502. Summary: Mulvey’s “Visual Pleasure and Narrative Cinema” In this 1975 essay, film theorist Laura Mulvey argues that mainstream film form is based on a patriarchal unconscious which derives pleasure from voyeurism and narcissism. The following is a distillation of key concepts in Mulvey’s “Visual Pleasure and Narrative Cinema.” I hope this helps. The explicit objectification of Hayworth in this sequence is emblematic of the cinematic male gaze established by Laura Mulvey in her landmark 1975 essay “Visual Pleasures and Narrative Cinema”. Study Guide for Visual Pleasure and Narrative Cinema. Laura Mulvey, “ Visual Pleasure and Narrative Cinema ”: Key Terms, Study Guide Visual Pleasure: Films use strategies to make your viewing experience pleasurable. Hayworth’s body is presented on-screen to be gazed upon by men for their own pleasure. A Political Use of Psychoanalysis This paper intends to use psychoanalysis to discover where and how the fascination of film is 03.22.2011 . 6-18 VISUAL PLEASURE AND NARRATIVE CINEMA I. Mulvey says that “analyzing pleasure dest roys it. Lindsay Murphy. Women ’s bodies are made pleasurable in a way that red uces them to objects, rather than subjects that are a forceful and recognized part of the narrative world. This was first theorized and broken down by Laura Mulvey in her essay ‘Visual Pleasure and Narrative Cinema’ (1975) wherein she looks at the position of women through a psychoanalytical lens. Laura Mulvey Visual Pleasure and Narrative Cinema (1975) - Laura Mulvey Originally Published - Screen 16.3 Autumn 1975 pp. Laura Mulvey; Visual Pleasure and Narrative Cinema, Screen, Volume 16, Issue 3, 1 October 1975, Pages 6–18, https://doi.org/10.1093/screen/16.3.6 Laura Mulvey In ‘Visual Pleasure and Narrative’ Laura Mulvey considers the nature of media viewership from the audiences’ perspective. In her 1981 follow-up to her influential 'Visual Pleasure in Narrative Cinema' (1974), Mulvey addresses some key omissions from her initial arguments--chiefly, the female spectator and the female protagonist. Throughout the essay a number of notable points are raised that add insight into the audience intentions and ‘pleasure’ in viewership. Therefore studying the representation of women in narrative cinema became a big issue due to the film fascination which could affect the spectators.Mulvey in her seminal essay 'Visual pleasure and narrative cinema' tries to reveal the Hollywood misogyny which has its visual manipulation in the mainstream of narrative cinema. Visual Pleasure and Narrative Cinema study guide contains a biography of Laura Mulvey, literature essays, quiz questions, major themes, characters, and a full summary and analysis. A key idea of feminist film theory, the concept of the male gaze was introduced by scholar and filmmaker Laura Mulvey in her now famous 1975 essay, Visual Pleasure and Narrative Cinema. Introduction A. One of the most striking features of cinema (and mind you, not just Bollywood) is the way in which women are viewed and represented. Period. Laura Mulvey: Visual Pleasure and Narrative Cinema Psychoanalysis Summary "the function of woman in forming the patriarchal unconscious is twofold: she firstly symbolizes the castration threat by her real lack of a penis and secondly thereby raises her child into the symbolic In the article “Visual Pleasure and Narrative Cinema” Laura Mulvey argues that the pleasure produced by narrative cinema reproduces an unconscious patriarchal structure of sexual divisions.